I grew up in our Lagos home with
some paternal uncles who lived with us, they were hip hop heads who listened to
the likes of Tupac Amaru Shakur, Coolio and WuTang clan. I watched them rap and
nod their head to crunk beats, automatically, I followed suit without knowing.
I remember making my first debut as a rapper at age 9, it was a children
concert. I still have vivid memories of the church I grew up in and remember
every bit of that Sunday afternoon, from my lines to the cleric who clanged the
church bell in a manner that said “Evil”!.
At that age, I didn’t know what
it meant to be embarrassed but I knew I was unhappy. The cleric and some elders
called me a thug. Come to think of it was a gospel song, they had words like “Moses”,
“supernatural” and “anointing” in them, still
I was condemned.
It took extra strength aftermath
to rap in public, but the jinx was broken when I got into secondary school at
age 10, whenever classes were over or there was a break therein, we would hit
on our tables and sing. I was the rapper girl and everyone saluted.
For the fear of what had happened
at church in the past year, I did music only at school. Yet I was a child with very
high IQ. Sailing through college, I found myself in boarding house at age 12,
then, music became a normal thing to do, it became a really good thing to
engage in, it was a norm and everyone adored it, I formed a group in 2000 named
“Angelic Voices”, it flourished, we went for inter school singing competitions,
alas! Everyone went separate ways after graduation.
At the end of 2002, I got into
the university, the very year I finished from college. The environment, the new
system of education and the culture shock took a toll on me and my music. In my
third year on the 23rd day of June 2006, I did my first studio job
titled Gidigbam featuring Mira, the rave of the moment at that time in Enugu
state. I didn’t stop there, putting together a 16 track gospel album, ambitious
yet alone, hardly any encouragement coming from family or close friends. They
saw me as a better person than as a musician. It was a hard time for me. The
album never got out of the studio. It saddened my entirety.
Working with a radio station whilst
being a student urged me to do more, then came graduation, then came the
service year, all effort to put out another album was futile. From lack of
finance to naughty “taking advantage of me” producers and so forth. In the
summer of 2009, I released a single titled ‘Lollipop”, a video was shot for it,
at this time, I had drifted from gospel raps to secular raps. With just few air
plays on radios and tv coupled with frustrating family, the attempt to break
into the music industry failed again.
I proceeded to earn a Masters
degree in Geographic Information Systems from the prestigious University of
Lagos, Nigeria. It was during the course of the programme as I took a stroll
one fine evening, I noticed a talking drum left outside to dry. I was amazed,
in deep awe, it was my first time ever laying eyes on the local instrument. The
love of music that burned in me drew me to it, I touched it. In a week I had
started learning the art of the talking drum.
It spoke to me every night, I found
myself learning my culture more and addressing the world via moral and earth
songs. The talking drum formed a tomboy into a woman, it made me see myself and
the world from a different focal point. All this happened between 2010 and
2012, I took another bold step, I did my first song with the talking drum
played live on it on the 22nd December 2011 titled Eledu’a (God).
The likes of Lagbaja, Asa,
Angelique Kidjo and India Arie excites and inspires me to a point unfathomable,
therefore when I wrote the love song titled “Love DownTown”, I imagined the
reknowned Lagbaja asking Asa out on love date. A song with a drama in it is
what would have explained the affair and then, the birth of Love DownTown
featuring Fizzi who happened to be the producer, great guy with good concept.
I have a band called “The Tholu
Rolands Music Band”, we rehearse, we laugh, we fight, we grow together, we are
the definition of a family, the ride has been a roller coaster ever since…
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